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The Social History of Smoking

George Latimer Apperson

Chapter 12:

The chief legitimate objection to cigarette smoking was well stated some years ago by the late Dr. Andrew Wilson. "I think cigarettes are apt to prove injurious," he said, "because a man will smoke far too much when he indulges in this form of the weed, and because I think it is generally admitted that cigarettes are apt to produce evil effects out of all proportion to the amount of tobacco which is apparently consumed." Excess can equally be found among cigar and pipe-smokers. The late Chancellor Parish, in his "Dictionary of the Sussex Dialect," tells a delightful story of a Sussex rustic's holiday—"May be you knows Mass [Master, the distinctive title of a married labourer] Pilbeam? No! doänt ye? Well, he was a very sing'lar marn was Mass Pilbeam, a very sing'lar marn! He says to he's mistus one day, he says, 'tis a long time, says he, sence I've took a holiday—so cardenly, nex marnin' he laid abed till purty nigh seven o'clock, and then he brackfustes, and then he goos down to the shop and buys fower ounces of barca, and he sets hisself down on the maxon [manure heap], and there he set, and there he smoked and smoked and smoked all the whole day long, for, says he 'tis a long time sence I've had a holiday! Ah, he was a very sing'lar marn—a very sing'lar marn indeed."

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

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